Steve Gukas is one of Nollywood’s most respected voices, a director, producer, and mentor whose career has been defined by purpose-driven storytelling and intentional leadership. From 93 Days to Living in Bondage: Breaking Free, his work consistently reflects a deep commitment to stories that matter.
But beyond the impact-driven narratives and global ambitions, Steve Gukas has also played a critical role in nurturing the next generation of filmmakers, backing bold ideas, guiding first-time directors, and helping build an ecosystem where Nigerian stories can thrive at scale.
In this conversation, he reflects on his process, the moments that shaped him, and the principles that continue to guide his work.
What does a typical working day look like for you when you’re in the middle of a production?
It depends on the kind of production. Over the last two years, I’ve been producing a slate of 12 films with first-time directors. That means I spend a lot of time guiding and mentoring, helping them develop their scripts, mood boards, and shot lists, and being on set to make sure what they’re doing is in service of the story. It’s also a way to protect the investment we’re making in these films, to ensure they connect with audiences and reflect the quality we want to be known for.
On sets where I’m both producing and directing, my focus shifts entirely to the story. Every decision becomes about making sure what’s happening on set aligns with that vision.
Your films often spotlight social issues. How does that shape your daily work as a filmmaker?
As a filmmaker and as any creative person with a platform, there’s a responsibility to use your voice meaningfully, especially in a country like ours. We don’t always have the luxury to make films just for the sake of it. Stories should amplify issues, offer some kind of reflection, or inspire change. That said, entertainment has its own value, relieving stress is a service too. I’ve done romcoms, and I enjoy light-hearted storytelling as well. But overall, I believe in using my talent in a way that’s impactful and uplifting.
Many young filmmakers look up to your work. What’s one behind-the-scenes reality you think more people should understand?
Preparation. That’s the single most important thing. The reality is, in this industry and especially in Nigeria, the best way to get it right is to prepare, prepare, prepare.
You’re known for building strong creative teams. How do you approach collaboration?
I’ve built relationships over time, and many of the people I work with today are folks I met decades ago, on my very first projects. I pay attention to work ethic, dedication to craft, and creativity. When I find someone who brings those qualities, I keep them close.
It’s about building a community, people who are aligned in vision and committed to pushing the craft forward. I might not work with someone immediately, but I keep track of them. And when the right project comes along, I bring them in. Over time, those working relationships become long-term collaborations.
Looking back, was there a turning point that redefined how you approach storytelling?
Yes. It was the making of Keeping Faith. That project helped me answer two big questions: Do I enjoy filmmaking enough to make it a career? And am I any good at it?
The answers came by the end of that shoot. But more importantly, it made me ask myself what level I wanted to operate on, and I decided I wanted to play on a global stage. To do that, I knew I needed more training, so I went off to the London Film School. That decision shaped everything that’s come since.
What advice would you give to filmmakers trying to tell stories that matter, beyond the technical skills?
Even if you’re telling an impact-driven story, it still has to be engaging. It still has to entertain. The Accountant, for example, tackled mental health and neurodivergence, but it was gripping and commercially successful. To do that, you must understand your subject deeply. Dig into the human side of the issue. Find what’s captivating, what’s relatable. And then build a script that brings that out in a universal, emotionally resonant way.
What’s one part of the filmmaking process that still excites you every time?
Being on set. Watching actors bring characters to life, seeing the vision come together, the lighting, the costume, the performance, that moment when it all clicks, it’s magic. It still gives me the same thrill.
What does ‘success’ mean to you now, compared to when you first started out?
Success used to be about the numbers, box office, reach, and revenue. That’s still important because it’s a business. But today, I define success as a film that finds its audience and is deeply appreciated by them. If people connect with it and it leaves a lasting impression, that’s success to me.
Steve Gukas has spent decades proving that stories can entertain and elevate at the same time. His work is a masterclass in clarity, compassion, and craft — and a reminder that great films don’t just reflect our world, they help shape it.
At Filmmakers Mart, we’re proud to support filmmakers like Steve who build, mentor, and create with purpose. Whether you’re leading a slate or working on your first short, you’ll find the tools, teams, and services you need to bring your vision to life, right here on our marketplace.
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